Dòng Nội dung
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Bakhtin and the carnival : humour in school children’s film making / : humour in school children’s film making / Jessica Zacher Pandya, Kathy A. Mills. // Language and Education Vol.33, No 6/2019
UK : Taylor & Francis Group, 2019.
p. 544-559 ; 26 cm.

While humour and laughter create conditions that are conducive for learning, different forms of children’s humour have been given little attention in research on digital media, literacy learning, and multimodal design. Applying a Bakhtinian lens, we analyse carnivalesque videos created by elementary students as part of the formal curriculum. We argue that they functioned as playful, spoofing counter narratives within the serious context of schooling. Three key findings emerge from analysis that show different forms of carnivalesque humour in their texts: (i) Clowning in children’s carnivalesque performances was used to break perceived tensions; (ii) Grotesque humour arose spontaneously, subverting the seriousness of films by drawing attention to lower, bodily functions; and (iii) Ambivalent laughter was instantiated in the video texts as a carnivalesque view of the world. We argue that the deliberate curation, editing, and selecting of these funny moments for an intended audience enabled spaces for digital play in film making within the remit of the formal curriculum.
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Visual arts : a multimodal language for Indigenous education / Kathy A. Mills, Katherine Doyle. // Language and Education Vol.33, No 6/2019
UK : Taylor & Francis Group, 2019.
p. 521-543 ; 26 cm.

Visual arts and other modes and media of communication are vital to Indigenous People, yet multimodal forms of representation, such as those prioritised in the arts, are often poorly understood and excluded from Indigenous education. This article describes cross-cultural, participatory community research enacted with an Indigenous school in Australia. Indigenous elementary students were taught by Indigenous community leaders to engage in visual arts through paintings and other forms of artistic representation (e.g. dances, rap video). These artistic expressions were coherent with Indigenous ways of learning and communicating. The multidimensionality of Indigenous students’ paintings was analysed, and the significance explained in relation to the language of transgenerational Indigenous Lore. The results demonstrate how Indigenous visual arts enabled powerful representations of transgenerational knowledge and understandings. The findings also provide generative illustrations of a culturally informed and responsive multimodal literacy pedagogy, highlighting the need to respect the multimodal dimensions of representation that have cultural meanings for Indigenous identity and education practices. The article challenges Western, privileged forms of literacy, while highlighting the need to respect visual arts as language in the English curriculum for equitable and culturally responsive education for Indigenous students.