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中国小说起源于“神话与传说”辨正——以鲁迅《中国小说史略》为中心. / 温庆新.
// Journal of Nanjing University: Philosophy, Humanities and Social Sciences 2014, Vol. 51, No. 5.
// 南京大学学报 : 哲学社会科学 2014, 第一卷 2014134-141 p. 在"犹他民族然"的先验认识及"现在一班研究文学史者"的普遍选择的双重作用下,鲁迅《中国小说史略》吸纳盐谷温《中国文学概论讲话》等观点,以神话与传说作为古代小说的源头。但盐谷温的观点并不能有效描述神话与传说向"小说"演进的过程,为此鲁迅将古代小说起源分为"小说"的起源与"小说书"的起源试图予以理清。而囿于中西小说观的不同及文献资料的匮乏,其讨论时往往将古代小说的起源置换成来源,有观念先行、论证不足之嫌。"小说"与"小说书"思想的杂糅,导致《史略》建构以"小说书"为主体的小说史时对古体小说与白话通俗小说各自演进及互相影响等情形的论述,缺乏历史与逻辑的统一,宋元"说话"与"话本"小说的讨论即其显例。还原神话与传说如何成为《史略》探究小说起源的认识过程,对客观理解《史略》乃至中国小说史的编纂,推动小说史研究的深入,均不无益处。
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鲁迅笔下“中国”的歧义 = Ambiguity of "China" in Lu Xun’s Writing. / Zhang Zhongliang.
// Journal of Huazhong normal University. 2014, Vol. 53.
// 华中师范大学学报.人文社会科学版 2014, 第53卷 武汉 : 华中师范大学学报编辑部, 2014.84-93 p. Lu Xun lived in an era which national crisis constantly intensified.In Lu Xuns literature expression,the discourse of country appears frequently,and the conceptChina"is one of them.China has a long history with diversified tradition,so the occasions ofChina" mentioned are quite different.In Lu Xuns writing,China"contains complex ambiguity,such as precious cultural heritage and negative tradition from the perspective of culture China,social problems and sovereignty dignity from the angle of politic China,pluralistic integration and central consciousness from the viewpoint of history China,and etc.All the contradictions are interweaving and changing constantly,in which there are clear attitude,profound insight,accurate interpretation,and also cognition errors.We should analyze these from the perspective of historicism.
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