Dòng Nội dung
1
Đọc tác phẩm dưới góc độ kí hiệu học / Nguyễn Đức Dân. // Ngôn ngữ. 2015, Số 11.
2015
tr. 3-11.

This paper interprets Chí Phèo and Le Petit Prince from a semiotics point of view.A series of word-symbol,especially the contrary pair,are repeated multiple times to express the meaning of both stories.In Chí Phèo, it is the pair of conscious/drunk. This is to show the contrast between an innocent man [conscious] and a “convolutes” man who has become calculative and interested in pursuing meaningless desires [drunk].These desires appesr in very path he takes whichs also symbolizes his life.It also symbolizes for the subconscious development from the lack-of-awareness to recognition .In Le Petit Prince, it is the pair of chils/adult. This symbolizes a conscious quest for the real meaning of life,just to realize that it is all around us.

2
汉语怎样编码位移的路径信息——现代汉语位移事件的类型学考察 = How Chinese Codes Path of a Motion:A Typological Study of Motion Events in Modern Chinese. / Liu Lijin. // Shijie Hanyu Jiaoxue. 2014, Vol. 28.

322-332 p.

位移事件语言类型区分基准在于位移事件中哪个成分典型地表达路径信息。在回顾前人相关研究的基础上,本文针对学术界存在的关于汉语的"附加语构架"、"动词构架"和"均等构架"三种分类,对汉语自然语料中的位移事件做了一次实证考察。考察结果证明,汉语多半使用趋向补语作"附加语"来编码位移路径,用主动词表达路径的情况较少,因而汉语可以说主要是一种"附加语构架语言",或者更确切地说,是一种"附加语类型结构比重较高的语言"。