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中国当代话剧的文学性问题:从“泛文学化”到“去文学化”= The Literariness of Chinese Contemporary Dramas:From "Pan-Literariness" to "Literariness Absence". / Zhou Minjia; Zhang Fugui.
// Journal of Huazhong normal University. 2014, Vol. 53.
// 华中师范大学学报.人文社会科学版 2014, 第53卷 武汉 : 华中师范大学学报编辑部, 2014.94-99 p. According to the developing trend of Chinese modern dramas,creators pay much more attention to the drama’s theatricality than its literariness.There is no denying that,with the influence of post-modern literary theories,both the concept connotation and the degree of dramas"literariness"have changed.In the modern sense of high-quality dramas,not only the literary texts but also non-literary texts have extremely important artistic value.They take advantage of vivid stage vocabulary to display those fragments which are scattered,used to be ignored and difficult to be taken into the mainstream.And they find corresponding deductive methods to perform rich individual experience,dynamic changes of one’s heart and secrets of the marginalized characters.Therefore,this paper thinks that,the developing trend of dramas should be treated correctly,which is from"intact literariness"to"pan-literariness",then to"literariness absence".
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