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Tác giả CN
| 李, 蓉. | |
Nhan đề
| 有“性别”的诗歌:论翟永明1990年代以来的创作 = Sexual Poetry:On Zhai Yongming’s Writing from 1990s /李蓉. | |
Thông tin xuất bản
| 2015. | |
Mô tả vật lý
| 74-82 p. | |
Tóm tắt
| Since 1990 s,Zhai Yongming keeps looking back female in history in her poetry,and making dialogues with the female figures in her poetry constitutes the important way of Zhai Yongming’s female thinking.Being an equal interlocutor to the female in history,Zhai Yongming observes,queries,contrasts,and judges the traditional sexual culture which includes by describing female figures’role and destiny,female art and its history,female image and sexual affiliation and other contents,which therefore forms her creation series.At the same time,besides the female writing,Zhai Yongming also undertakes the duty of expressing universal problems at present. | |
Tóm tắt
| 和现实经验的变化相一致,翟永明的诗歌也处在不断的变化中,这包括她创作中的女性立场从早期的感性经验变成了一种理性上的自觉和认同。在性别和诗歌之间,翟永明不是撷取其中某一点,而是追求着二者的统一。1990年代以来,翟永明的诗歌回望历史中有名、无名的女性,和她们的对话构成了翟永明性别思考的重要方式。诗人以一个同历史中的女性平等对话者的身份对传统的性别文化进行观察、质询、对照、判断,包括女性人物的角色和命运、女性艺术及其历史、女性形象及性别归属等内容,由此形成了一个创作系列。同时,在"性别"写作之外,翟永明也承担着对当下生活的"普遍性"问题进行表达的责任,对苦难的同情、对现代性的反思、对传统文化的回归等都反映出诗人介入现实的勇气,这类诗歌不能简单看成是和她的性别写作相分隔的另一部分,或曰"超性别的诗歌",实质上,仍有一种更成熟的女性特质在其中发挥着效力. | |
Thuật ngữ chủ đề
| Reality | |
Thuật ngữ chủ đề
| Zhai Yongming | |
Thuật ngữ chủ đề
| Poetry | |
Thuật ngữ chủ đề
| Sex | |
Từ khóa tự do
| 诗歌 | |
Từ khóa tự do
| 性别 | |
Từ khóa tự do
| 现实 | |
Từ khóa tự do
| 翟永明 | |
Nguồn trích
| Journal of Huazhong normal University.- Vol.54, No.3(2015) |
| |
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| 041 | 0 |achi |
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| 100 | 0 |a李, 蓉. |
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| 245 | 10|a有“性别”的诗歌:论翟永明1990年代以来的创作 =|bSexual Poetry:On Zhai Yongming’s Writing from 1990s /|c李蓉. |
|---|
| 260 | |c2015. |
|---|
| 300 | |a74-82 p. |
|---|
| 362 | 0 |aVol. 54, No. 3 (2015) |
|---|
| 520 | |aSince 1990 s,Zhai Yongming keeps looking back female in history in her poetry,and making dialogues with the female figures in her poetry constitutes the important way of Zhai Yongming’s female thinking.Being an equal interlocutor to the female in history,Zhai Yongming observes,queries,contrasts,and judges the traditional sexual culture which includes by describing female figures’role and destiny,female art and its history,female image and sexual affiliation and other contents,which therefore forms her creation series.At the same time,besides the female writing,Zhai Yongming also undertakes the duty of expressing universal problems at present. |
|---|
| 520 | |a和现实经验的变化相一致,翟永明的诗歌也处在不断的变化中,这包括她创作中的女性立场从早期的感性经验变成了一种理性上的自觉和认同。在性别和诗歌之间,翟永明不是撷取其中某一点,而是追求着二者的统一。1990年代以来,翟永明的诗歌回望历史中有名、无名的女性,和她们的对话构成了翟永明性别思考的重要方式。诗人以一个同历史中的女性平等对话者的身份对传统的性别文化进行观察、质询、对照、判断,包括女性人物的角色和命运、女性艺术及其历史、女性形象及性别归属等内容,由此形成了一个创作系列。同时,在"性别"写作之外,翟永明也承担着对当下生活的"普遍性"问题进行表达的责任,对苦难的同情、对现代性的反思、对传统文化的回归等都反映出诗人介入现实的勇气,这类诗歌不能简单看成是和她的性别写作相分隔的另一部分,或曰"超性别的诗歌",实质上,仍有一种更成熟的女性特质在其中发挥着效力. |
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| 650 | 00|aReality |
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| 650 | 00|aZhai Yongming |
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| 650 | 00|aPoetry |
|---|
| 650 | 00|aSex |
|---|
| 653 | 0 |a诗歌 |
|---|
| 653 | 0 |a性别 |
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| 653 | 0 |a现实 |
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| 653 | 0 |a翟永明 |
|---|
| 773 | |tJournal of Huazhong normal University.|gVol.54, No.3(2015) |
|---|
| 890 | |a0|b0|c0|d0 |
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