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Tác giả CN
| 刘思远. | |
Nhan đề
| 国剧运动的戏剧史学研究——以余上沅1922-1926年的戏剧活动为中心=A Theatre Historiographical Study of the National Theatre Movement:Centering on Yu Shangyuan’s Theatrical Activities in 1922-1926 /刘思远. | |
Thông tin xuất bản
| 2016. | |
Mô tả vật lý
| 119-127+160 p. | |
Tùng thư
| 南京大学 | |
Tóm tắt
| Present studies of China’ s National Theatre Movement(guoju yundong) are mostly based on the 1927 book National Theatre Movement,edited by Yu Shangyuan from a collection of articles published in Chenbao Theatre Supplement in the summer of 1926,and the works and memoirs of Yu’ s contemporaries such as Wen Yiduo and Liang Shiqiu.These studies usually focus on theoretical discussions of such concepts as xieyi,huaju nationalization and cultural conservatism.As a theatre historiographical study,this article utilizes several groups of ignored or unknown sources between 1922 and 1926 to analyze the cognitive evolution of the National Theatre Movement and its champion Yu Shangyuan,the preparation for and aftermath of the movement’s emergence in 1926,and the actual reasons behind its sudden demise after only three months. | |
Tóm tắt
| 目前学界对国剧运动的研究多以1927年余上沅根据1926年夏《晨报副刊·剧刊》所发表文章编辑的《国剧运动》为主要资料,外加同时代人物如闻一多、梁实秋等的著作和回忆及一些理论文章,研究重心多集中在写意、话剧民族化、文化保守主义等理论层面。本文从戏剧史学的角度运用几组被忽视或不为人知的1922-1926年间的资料,研究国剧运动及其主将余上沅的思想脉络,国剧运动于1926年异军突起的前因后果,及其三个月后急速偃旗息鼓的实际原因。 | |
Thuật ngữ không kiểm soát
| 余上沅 | |
Thuật ngữ không kiểm soát
| 国剧运动 | |
Thuật ngữ không kiểm soát
| 戏剧史学 | |
Thuật ngữ không kiểm soát
| 留学生 | |
Nguồn trích
| Journal of Nanjing University: Philosophy, Humanities and Social Sciences- 2016, Vol. 53, No. 2. |
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| 245 | 10|a国剧运动的戏剧史学研究——以余上沅1922-1926年的戏剧活动为中心=A Theatre Historiographical Study of the National Theatre Movement:Centering on Yu Shangyuan’s Theatrical Activities in 1922-1926 /|c刘思远. |
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| 520 | |a Present studies of China’ s National Theatre Movement(guoju yundong) are mostly based on the 1927 book National Theatre Movement,edited by Yu Shangyuan from a collection of articles published in Chenbao Theatre Supplement in the summer of 1926,and the works and memoirs of Yu’ s contemporaries such as Wen Yiduo and Liang Shiqiu.These studies usually focus on theoretical discussions of such concepts as xieyi,huaju nationalization and cultural conservatism.As a theatre historiographical study,this article utilizes several groups of ignored or unknown sources between 1922 and 1926 to analyze the cognitive evolution of the National Theatre Movement and its champion Yu Shangyuan,the preparation for and aftermath of the movement’s emergence in 1926,and the actual reasons behind its sudden demise after only three months. |
|---|
| 520 | |a 目前学界对国剧运动的研究多以1927年余上沅根据1926年夏《晨报副刊·剧刊》所发表文章编辑的《国剧运动》为主要资料,外加同时代人物如闻一多、梁实秋等的著作和回忆及一些理论文章,研究重心多集中在写意、话剧民族化、文化保守主义等理论层面。本文从戏剧史学的角度运用几组被忽视或不为人知的1922-1926年间的资料,研究国剧运动及其主将余上沅的思想脉络,国剧运动于1926年异军突起的前因后果,及其三个月后急速偃旗息鼓的实际原因。 |
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| 653 | 0 |a余上沅 |
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| 653 | 0 |a国剧运动 |
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| 653 | 0 |a戏剧史学 |
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| 773 | |tJournal of Nanjing University: Philosophy, Humanities and Social Sciences|g2016, Vol. 53, No. 2. |
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